Harrison Ford has revealed some never previously seen notes from executives that might have taken Blade Runner another way.
Harrison Ford presented the Best Acting gong at the Oscars on Sunday night. Just to keep things fresh, the veteran actor decided to read off a few notes from a 30 year old film. Who said the Oscars wasnāt relevant?
In fairness though, when the film is
Blade Runner, nobody is really complaining.
Blade Runner has attained near mystical status over the years for its variety of cuts and itās no secret that almost director Ridley Scottās first cut did not go down well with the filmās producers, who promptly took final cut from the director before assembling their own version.
Now, 30 years on, Ford opted to share some of those notes and fans of the movie will recognise some of the notes very clearly indeed.
“‘Opening too choppy.ā (Even though
Blade Runner is acknowledged as having one of the greatest opening sequences in science-fiction history.)
āWhy is this voiceover track so terrible?ā (The voiceover track was added against Scottās wishes.)
They get better.
āHe sounds drugged,ā āWere they all on drugs? Deckard [Fordās character] at the piano is interminable. Flashback dialogue confusing. Is he listening to a tape?
And if they werenāt superfluous enough for you, try this one: āWhy do we need the third cut to the eggs?ā
The notes go on. āThe synagogue music is awful on the streets. We’ve got to use Vangelis. Up to Zora’s death, the movie is deadly dull.ā
The final note is perhaps the best of the lot.
āThis movie gets worse every screening.”
And yet, ultimately,
Blade Runner would be reappraised as a film ahead of its time. Those passing a critical eye over it at the time clearly didnāt agree, however. And 30 years later, Ford isnāt letting them live it downā¦
ā
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