Filmmaker Steven Soderbergh has been discussing the state of cinema and as always, there are interesting ideas to ponder over.
Steven Soderbergh is one of those filmmakers who will (hopefully) never stop challenging the Hollywood paradigm. Whether it’s electrifying the independent scene with
Sex, Lies & Videotape, shooting an entire movie on an iPhone or refusing to play by the establishment’s financing rules, Soderbergh has spent his career redefining what his films can be.
However, in a post-pandemic world where audiences are beset by an almost infinite number of distractions, even he finds it difficult to argue that movies have the same resonance that they used to. Speaking to
Rolling Stone, Soderbergh gave a gloomy prognosis for the interest in this year’s Oscars, predicting that interest would continue to tumble, even in a year when some real mainstream crowd pleasers such as
Elvis, Top Gun: Maverick and
Avatar: The Way Of Water are in contention for the Best Picture award.
In the past, low interest in the Oscars has often been explained away by a lack of mainstream cinema being in contention for major awards, but Soderbergh says that this year, that can’t be used as an excuse. “This year is going to be very telling. You cannot this year say ‘well, they didn’t nominate any popular movies!’ … so, we’ll find out if that’s really the issue or if it’s a deeper philosophical problem, which is the fact that movies don’t occupy the same cultural real estate that they used to. They just don’t.”
The filmmaker was quizzed as to whether the ‘Golden Age of TV’ has contributed to what he sees as cinema’s declining cultural impact, and he had concedes that plays a part. But still, he maintains that films “don’t matter in the same way that they did 20 years ago. As a result, especially for younger viewers, it’s not as compelling as it once was. They’re going to learn a lot this year. We all will”.
It’s a stark outline from a creator who always seems to have an idea or two up his sleeve about where the future of cinema could lie. Soderbergh also talked a little about the dominance of superhero movie and offered a nuanced take, arguing cinemas are struggling and demanding what they can charge the most for.
It’s a more balanced and hopeful take than we’ve heard from some other creators and maybe Soderbergh is right and filmmakers will eventually figure out a way to rebalance Hollywood’s output. As ever too, Soderbergh also recently revealed everything he watched and read in the last year and should you be so inclined, you can find that
here.
Image: BigStock
—
Thank you for visiting! If you’d like to support our attempts to make a non-clickbaity movie website:
Follow Film Stories on Twitter here, and on Facebook here.
Buy our Film Stories and Film Junior print magazines here.
Become a Patron here.
Related Stories
- Will horror films finally break into the Oscars in 2025?
With a slew of excellent, critically acclaimed horror films in 2024, could awards bodies finally give them more consideration? A few thoughts.
Update: These are the kinds of updates we love to write. On 5th January, something remarkable happened. Demi Moore won the Golden Globe for Best Actress in a Musical Or Comedy for her performance in [...]
- Wicked | Universal reportedly sent a note with a minimum volume request for cinemas
Wondered why Wicked might be on the loud side at your local cinema? Turns out there's been a 'minimum volume' request.
It’s not particularly unusual for a filmmaker to send a note to cinema projectionists outlining some parameters for how they want their films exhibited. What I hadn’t appreciated, but probably should have guessed, is that [...]
- What do you think of cinemas? Please take our survey!
Our cinema behaviour survey is back, and aims to find out just what it's like when you go and watch a movie at your local filmhouse.
It's been several years since we've done this, but we need your help please. We're trying to get a picture of what it's like going to the cinema in 2024, [...]
- This year’s Oscar nominations paint a depressing picture of Hollywood
The nominations are in for this year’s Oscars, but they’re reflective of an industry still stuck in its old ways. Some thoughts:
You either love or hate the awards season, but it’s hard to escape it. Awards of course don’t mean everything; they’re often indicative of a great marketing campaign and the production’s address book rather [...]
- The Brutalist review | Brady Corbet’s magnum opus is well worth your time
Brady Corbet has made his best film yet with an American epic about a Jewish refugee. Here’s our The Brutalist review.
The Brutalist, Brady Corbet’s Cannes sensation, feels timely despite its post-World War II setting. Its take on the immigration experience, seen through the eyes of a Hungarian-Jewish architect, was always going to hit close to [...]